Club Late Music (CLM) is an open-source and collaborative music label. Born between Paris and London in 2015, it seeks to explore the ways of producing and promoting musical projects by gathering an enlarged community (GUN) driving all the projects and releases.

Club Late Music attempts to represent an artistic movement stimulated by experimental club music, using photography, videos and new technologies as mediums of experimentation. The so-called URL culture and its capacity to bind musical and visual substrates and practices is constitutive of its artistic approach.

For bookings and inquiries - contact (at) clublatemusic.com

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GUN

In April 2017, Club Late Music initiated the GUN project - as in Global URL Nation. Inspired by the free and open-source software approach, GUN gathers a diverse community of artists, designers and enthusiasts into an international network based on collaboration, the sharing of knowledge and of creative resources.

Combining the different musical influences and understandings of club music, GUN seeks to question the idea of collective intelligence in the production and diffusion of artistic contents by incorporating the style and ideas of each contributor.

Using various mediums, processes and formats inherited from contemporary cyberculture, it multiplies collaborative, decentralized experiments, from EPs and compilations to audiovisual projects, installations or live acts.

Want to join the GUN community? 

We have new and recurrent projects launching regularly, so if you would like to join as a producer, DJ, musician, vocalist, visual artist, graphic designer, open-source enthusiast or anything in between, send us an email with a little bit of info and links to gun (at) clublatemusic.com

whitepaper

The whitepaper is a written piece documenting the evolution of the CLMxGUN project - our way to question our processes and to share our mistakes, learnings and interrogations, based on tangible results of collaboration.

Head to the Resources page to access the V1 (2018) & V2 (2022).

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